Affect, Performance and Queer Subjectivities
نویسنده
چکیده
منابع مشابه
Notes on Tango ( as ) Queer ( Commodity )
In this paper, I reflect on queer (non-heteronormative) interests in tango. Puzzled, I wonder why tango, an icon of hyper-heteronormative ‘love’, attracts dancers with queer sensibilities. In order to begin exploring answers, I look into tango as a commodity, composed of aesthetics and affects, which circulates as a fetish that can be consumed in globalisation unhinged from its socio-cultural m...
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Brisbane’s queer scene is relatively obscure, outside of those who actively participate in it, little is known of it and practically nothing is written about it. Broadly speaking, queer culture works in direct contrast to the coherent and commodified culture of the gay mainstream and collectively rejects conventional ‘gay music’ favouring instead a multiplicity of musical styles and performance...
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Grounded in Butler’s Queer Theory, focusing on performances, this paper examined gay protagonists in the five (5) Philippine representative queer-themed English proses, which titled as follow: “The Doll” by Emigdio Alvarez-Enriquez; “The Chamber of the Sea” by Edith Tiempo; “High Fashion” by Gilda CorderoFernando; “Geyluv” by Honorio de Dios; and “The Husband” by Jaime An Lim. Specifically, the...
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تاریخ انتشار 2015